On September 25th 2025, Dramaturgy for Devices organized a workshop on dance knowledge. The participants included choreographers, roboticists, dramaturges, and performance scholars, each of whom brought their own distinct understanding of and relation to dance. Four choreographers/researchers were invited to share their view of what dance knowledge entails. The aim of the workshop was to…

How will we live together with robots? During the Highlight Symposium ‘Robotic Relations’ on 13 February 2026, Maaike Bleeker, Ulrike Quade and Marco Rozendaal facilitated two sessions. Through talks, panels, and interactive installations, they explored whether robots can become extensions of human creativity, how we might understand robots as more-than-tools, and what happens when we

What happens when autonomously moving objects become part of our everyday environments? And how can we design their movements in ways that thoughtfully interact with human bodies? To explore these questions, PhD-candidate Enne Lampe (TU Delft) and Master-student Hannah Kleijne (TU Delft) conducted a live experiment during Highlight Delft. Visitors were invited to move with…

Recently, the online Performing Robots Catalogue was published. This catalogue is a living archive of projects, artworks, performances and experiments which combine theatre and robotics. It is part of the larger research project Dramaturgy for Devices.In order to organize the different projects within the catalogue, we have created a taxonomy with relevant categories and sub-categories.

VU Lecture by Laura Karreman and Ulrike Quade On December 1st, 2025, Dr. Laura Karreman—Associate Professor in Media and Performance Studies at Utrecht University (UU)—and Ulrike Quade—theater director, artistic researcher, puppeteer, and scenographer—gave a lecture at the Vrije Universiteit Amsterdam (VU) titled The Dramaturgy of Robots on Stage. The lecture was presented in the context

We invite submissions to the special session Skillful Practices in Social Robotics and HRI – Approaches from the Performing Arts at the International Conference on Social Robotics (ICSR 2026), held 1–4 July 2026 in London, UK. CALL FOR PROPOSALS The past decades have witnessed increased recognition of the relevance of skills and expertise from the…

At the International Conference on Social Robotics and Art (ISCR), 1-4 July 2026 in London, we will be organizing the half-day workshop The Mechanics of Ensoulment: How Control Mappings Animate Social Robots. This workshop explores how different control interfaces and mapping strategies shape the expressive and social qualities of robots. Focusing on live and manually…

by Soyun Jang In November 2025, I visited the Centre for Transformative Media Technology at Swinburne University of Technology in Melbourne, Australia, for a 15-day research exchange. Recently having moved to a new location, the centre had acquired a large studio space for a motion capture system, social robotics, and a volumetric capture system. While

At the beginning of December, PhD Candidate Enne Lampe, within the Dramaturgy for Devices project responsible for research on designing service robots for the hospitality sector, attended IASDR 2025 in Taipei, Taiwan. The theme of this years International Association of Societies of Design Research conference was ‘Design NEXT’. What is next for design as a discipline? Should it adapt…

Science and theatre seem like two different worlds. Yet theatre can tell us something about what our future with robots will look like. ‘Theatre knowledge is relevant to robot development.’ Daan Appels wrote a series about feelings for robots for NEMO Kennislink, the journalistic platform of NEMO Science Museum. In his first article, he talks